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the claim
Shostakovich withheld his Fourth Symphony due to political pressure but released the Fifth to align with Soviet artistic mandates.
the verdict
SUPPORTED
the sources below back this sentence
refuted supported
the weight of evidence
6 sources for · 0 against
ABOUT A PERSON this checks one sentence against the sources listed below; it is not a judgment about anyone
Historical records and scholarly analyses confirm that Dmitri Shostakovich withdrew his Fourth Symphony amidst severe political pressure and intense official criticism, later composing the stylistically more conservative Fifth Symphony to align with Soviet artistic mandates and regain official favor.
This receipt checks one sentence against the sources listed below. It is not a judgment about this person, their honesty, or their character.
Evidence for · 6
cited by 0
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More for · 5
2013 · cited by 0
It states Shostakovich transformed his style to produce the Fifth Symphony to win Party support following denunciations.
Copy citation 2024 · cited by 0
It notes the Fifth engaged with conservative models required by Socialist Realism, contrasting with the unperformed Fourth.
Copy citation 1966 · cited by 0
It recounts the withdrawal of the Fourth and the presentation of the Fifth as 'a Soviet artist's reply to just criticism'.
Copy citation 2007 · cited by 0
It notes the Fourth preceded official denunciation and work on the Fifth followed as 'contrition'.
Copy citation 2014 · cited by 0
It confirms the Fourth Symphony was shelved and the Fifth revealed a populist style mandated by the government.
Copy citation Everything we examined (13) — 9 independent sources
This check searched the claim as stated. It did not run a separate search for evidence against it.
Wikipedia: Dmitri Shostakovich reference supports Book: Shostakovich's Symphony No. 5 reference supports not shown: a book whose author and subject did not establish authority here OpenAIRE: The Dialectic of Musical Socialist Realism: The Case of Dmitri Shostakovich peer-reviewed supports OpenAIRE: Musical Contexts peer-reviewed supports OpenAIRE: Shostakovich at the Crossroads peer-reviewed supports OpenAIRE: A Soviet Credo: Shostakovich's Fourth Symphony (review) peer-reviewed supports OpenAIRE: Dmitri Shostakovich’s Symphony No. 9 and Analysis of the Bassoon Solos peer-reviewed no side taken not shown: read and judged not to bear on this claim OpenAIRE: A Giant Leap Backwards peer-reviewed supports the tacoma times (tacoma, wash.) 1903-1949: the tacoma times (tacoma, wash.) 1903-1949 reference same source L9 no side taken not shown: read and judged not to bear on this claim the daily worker (chicago, ill.;new york, n.y.) 1924-1958: the daily worker (chicago, ill.;new york, n.y.) 1924-1958 reference same source L9 no side taken not shown: read and judged not to bear on this claim the southern jewish weekly (jacksonville, fla.) 1939-1992: the southern jewish weekly (jacksonville, fla.) 1939-1992 reference same source L9 no side taken not shown: read and judged not to bear on this claim springfield weekly republican (springfield, mass.) 1851-1946: springfield weekly republican (springfield, mass.) 1851-1946 reference same source L9 no side taken not shown: read and judged not to bear on this claim springfield weekly republican (springfield, mass.) 1851-1946: springfield weekly republican (springfield, mass.) 1851-1946 reference same source L9 no side taken not shown: read and judged not to bear on this claim
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first checked 06 Aug 2026
judged → SUPPORTED · 75 06 Aug 2026
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