Schopenhauer's disparagement of Newton's color theory is scientifically justified
the verdict
INSUFFICIENT LEANING
refutedsupported
the weight of evidence
2 sources for · 0 against
AS REPORTEDno primary record reached; this is what the reporting says
The retrieved sources establish that Schopenhauer wrote a treatise criticizing Newton and supporting Goethe's views by attempting a physiological account of color, but they contain no evidence evaluating the scientific justification of these criticisms.
On Vision and Colours | work by Schopenhauer | Britannica
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On Vision and Colours
# On Vision and Colours
work by Schopenhauer
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Also known as: “Über das Sehn und die Farben”
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## Learn about this topic in these articles:
- Arthur SchopenhauerActive maturitySchopenhauer finished his treatise Über das Sehn und die Farben (1816; “On Vision and Colours”), supporting Goethe against Isaac Newton. Read MoreSchopenhauer finished his treatise Über das Sehn und die Farben (1816; “On Vision and Colours”), supporting Goethe against Isaac Newton. Read More
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On Vision and Colours
On Vision and Colors (originally translated as On Vision and Colours; German: Ueber das Sehn und die Farben) is a treatise by Arthur Schopenhauer that was published in May 1816 when the author was 28 years old. Schopenhauer had extensive discussions with Johann Wolfgang von Goethe about the poet's Theory of Colours of 1810, in the months around the turn of the years 1813 and 1814, and initially shared Goethe's views. Their growing theoretical disagreements and Schopenhauer's criticisms made Goethe distance himself from his young collaborator. Although Schopenhauer considered his own theory superior, he would still continue to praise Goethe's work as an important introduction to his own.
Schopenhauer tried to demonstrate physiologically that color is "specially modified activity of the retina." The initial basis for Schopenhauer's color theory comes from Goethe's chapter on physiological colors, which discusses three principal pairs of contrasting colors: red/green, orange/blue, and yellow/violet. This is in contrast to the customary emphasis on Newton's seven colors of the Newtonian spectrum. In accordance with Aristotle, Schopenhauer considered that colors
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