Emperor Nero ordered the execution of his mother and other political figures due to specific dynastic conflicts
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Historical reference texts establish that Emperor Nero ordered the execution of his mother, Agrippina the Younger, as well as political rivals like Britannicus during power struggles within the Julio-Claudian dynasty.
Julia Agrippina (6 November AD 15 – 23 March AD 59), also referred to as Agrippina the Younger, was Roman empress from AD 49 to 54, the fourth wife and niece of emperor Claudius, and the mother of Nero.
Agrippina was one of the most prominent women in the Julio-Claudian dynasty. She was the great-granddaughter of Augustus (the first Roman emperor) and the daughter of the Roman general Germanicus a
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Julia Agrippina (6 November AD 15 – 23 March AD 59), also referred to as Agrippina the Younger, was Roman empress from AD 49 to 54, the fourth wife and niece of emperor Claudius, and the mother of Nero. Agrippina was one of the most prominent women in the Julio-Claudian dynasty. She was the great-granddaughter of Augustus (the first Roman emperor) and the daughter of the Roman general Germanicus and Agrippina the Elder. Her father, Germanicus, was the nephew and heir apparent of the second emperor, Tiberius. Agrippina's brother Caligula became emperor in AD 37. After Caligula was assassinated in AD 41, Germanicus' brother Claudius took the throne. Agrippina married Claudius in AD 49.
Agrippina has been described by modern and ancient sources as ruthless, ambitious, domineering, and using her powerful political ties to influence the affairs of the Roman state, even managing to successfully maneuver her son Nero into the line of succession. Claudius eventually became aware of her plotting, but died in AD 54 under suspicious circumstances, potentially poisoned by Agrippina herself. She exerted significant political influence in the early years of her son's reign, but eventually fell out of favor with him and was killed in AD 59.
Physically, Agrippina was described as a beautiful and reputable woman; and, according to Pliny the Elder, had a double canine in her upper right jaw, which was regarded as a sign of good fortune in Ancient Rome. == Family == Agrippina was the first daughter and fourth living child of Agrippina the Elder and Germanicus. She had three elder brothers, Nero Caesar, Drusus Caesar, and the future emperor Caligula, and two younger sisters, Julia Drusilla and Julia Livilla. Agrippina's two eldest brothers and her mother were victims of the intrigues of the Praetorian Prefect Lucius Aelius Sejanus. She was the namesake of her mother.
Agrippina the Elder was remembered as a modest and heroic matron, who was the second daughter and fourth child of Julia the Elder and the statesman Marcus Vipsanius Agrippa. The father of Julia the Elder was the emperor Augustus, and Julia was his only natural child from his second marriage to Scribonia, who had close blood relations with Pompey the Great and Lucius Cornelius Sulla. Germanicus, Agrippina's father, was a very popular general and politician. His mother was Antonia Minor and his father was the general Nero Claudius Drusus. He was Antonia Minor's first child. Germanicus had two younger siblings: Livilla and Claudius, making the pair Agrippina's aunt and uncle, respectively.
Not only would Claudius later serve as Roman emperor, he would also go on to take Agrippina, his own niece, as his wife. Antonia Minor was a daughter to Octavia the Younger by her second marriage to triumvir Mark Antony, and Octavia was the second eldest sister and full-blooded sister of Augustus. Germanicus' father, Drusus the Elder, was the second son of the Empress Livia Drusilla by her first marriage to praetor Tiberius Nero, and was the emperor Tiberius's younger brother and Augustus's stepson. In the year AD 9, Augustus ordered Tiberius to adopt Germanicus, who happened to be Tiberius's nephew, as his son and heir.
She also eliminated or removed anyone whom she considered was a potential threat to her position and the future of her son, one of her victims being Lucius' second paternal aunt and Messalina's mother Domitia Lepida the Younger. Griffin describes how Agrippina "had achieved this dominant position for her son and herself by a web of political alliances," which included Claudius chief secretary and bookkeeper Pallas, his doctor Xenophon, and Afranius Burrus: the head of the Praetorian Guard (the imperial bodyguard), who owed his promotion to Agrippina.
Lucius' name was changed to Nero Claudius Caesar Drusus Germanicus and he became Claudius's adopted son, heir and recognized successor. Agrippina and Claudius betrothed Nero to his step sister Claudia Octavia, and Agrippina arranged to have Seneca the Younger return from exile to tutor the future emperor. Claudius chose to adopt Nero because of his Julian and Claudian lineage. Agrippina deprived Britannicus of his heritage and further isolated him from his father and succession for the throne in every way possible. For instance, in AD 51, Agrippina ordered the execution of Britannicus' tutor Sosibius.
Sosibus had confronted her, outraged by Claudius' adoption of Nero and his choice of Nero as successor over his own son Britannicus. Nero and Octavia were married on 9 June AD 53. Claudius later regretted marrying Agrippina and adopting Nero and began to favor Britannicus, preparing him for the throne. These actions gave Agrippina a motive to allegedly eliminate Claudius. Ancient sources say she poisoned Claudius on 13 October AD 54 with a plate of deadly mushrooms at a banquet, thus enabling Nero to quickly take the throne as emperor.
In year one of Nero's reign, Agrippina began losing influence over Nero when he began to have an affair with the freed woman Claudia Acte, which Agrippina strongly disapproved of and violently scolded him for. Agrippina began to support Britannicus in her possible attempt to make him emperor, or to threaten Nero. The panicking emperor decided on whether to eliminate his mother or his step-brother. Soon, Nero had Britannicus secretly poisoned during his own banquet in February AD 55. The power struggle between Agrippina and her son had begun. Between AD 56 and 58, Agrippina became very watchful and critical of her son.
MONMOUTH HERALD A INQUIRER vrri CLOKC Editor I AN INDEPENDENT FAMILY JOURNALDEVOTED TO THE GOOD OF THE MASSES 9150 A TEAK Xf ADTA9TCB VOL 36 FREEHOLD N J THURSDAY MORNING MARCH 12 1863 NEW SERIES NO 51 For the Her ild and Inquirer AaRIPPl KTA s A TALE OF ANCIEKT HOME FOUNDED UPON TACITUS BY II WARD CHAPTER II No sooner was Nero elevated to tie imperial dignity than lie began to plot the death of Agrippina his mother He was jealous of her and jealousy is always the curse of ty rants So long iis she lived he was afraid that she might one day take him offby poison as she served Clau dius her husband But in his mali cious and matricidal design he was far from being actuated by a sense of justice that was what never entered into his composition Although ho Well knew that his guilty mother de served to suffer death as a murderess yet the act of his obtaining the Im perial Throne as the reward of her criminality was sufficient of itself to implicate him in the same degree of guilt and proves almost demonstra bly that lie himself must have inci
... his mother's domination and had her assassinated , killed by Roman soldiers after a botched attempt to drown her in a boating accident . Other empresses who were prominent and influen- tial were Julia Domna , the wife of Septimius ...
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Nero ruled the Roman Empire from 54 to 68 CE, bringing to an end the Julio-Claudian dynasty. Perversely attractive and also thoroughly abhorrent, he evoked both positive and negative images. According to a popular saying, Nero fiddled while Rome burned; as Tacitus, Suetonius, and Cassius Dio recorded, he is reputed to have watched the fire from a high tower, reciting, perhaps to a lyre accompaniment, his own composition about the fall of Troy. This diverting performance exemplifies his propensity for spectacle and theatricality, characteristic of his style of rule. The artistic achievements of the emperor, both as patron and promoter of the arts and as actor, musician, and charioteer — glorified in some of his last words, “Qualis artifex pereo!” (What an artist dies in me!) — are, however, overshadowed by the image of Nero as the cruel tyrant who displayed extraordinary munificence, sought and needed flattery, indulged all his instincts unrestrainedly, and was deluded by his own acting in the imperial role, abusing the freedom of power he claimed. He wished to excel and, as Miriam T. Griffin notes, “he pursued the image of [. . .] the magnificent monarch, rather than that of the civilis princeps.” At least during his first quinquennium, 54-58 CE, when his advisers, Seneca and Burrus, had effective control, political order prevailed. By the time of the great fire of Rome, in 64 CE, for which, as history has shown, Nero was not personally responsible, he had been involved in th
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